Why does tilt shift photography work

As we've seen, using a tilt shift lens can provide a number of interesting aspects to your images. From simply "correcting" the angle of a tree or building, to creating more extreme visuals like a miniature stadium. There is no end to the creative uses of the tilt shift effect. Explore the different types of camera lenses, and learn how to use them with shot size, angles, and camera movement for impact.

Prime Lens. Zoom Lens. Anamorphic Lens. Wide Angle Lens. Macro Lens. Fisheye Lens. Tilt-Shift Lens. Deakinizer Lens.

Split-Diopter Lens. We mastered the tilt shift lens and the next step is to expand your image making with different types of camera lenses. In this post, we'll cover definitions for zoom, parfocal, fisheye lenses, and more. Knowing how each of these lenses works will open up the possibilities for the types of images you can capture. Create robust and customizable shot lists.

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Highly detailed miniatures have always fascinated me, so tilt shift photography was a natural draw. The White House? Shrink it. Piccadilly Circus? The shift feature of a tilt-shift lens, as the name implies, allows the lens' optics to shift in relation to the image sensor.

Key to this intriguing ability is that tilt-shift lenses are designed to project an image circle that is much larger than traditional lenses. By shifting a lens, you can simulate photographing your subject from a different camera position. By using the shift feature, you can create architecture photos without converging veritcal lines. To do this, the camera must be level and pointed directly the building. The lens is then shifted upward to include the top portion of the building and, in some cases, a significant amount of sky for optimal framing sacrificing nearby foreground elements in the process.

Because the lens is leveled, the vertical lines do not converge. And because the lens is shifted, the lens simulates the view of a camera placed much higher than it actually was.

One specific use of the shift feature is to allow for otherwise impossible camera angles when photographing with mirrors.